Lubaina Himid’s British pavilion at the Venice Biennale review – alienation in a green and pleasant land

H ome comforts aren’t always all that comfortable. Here at the Venice Biennale, Lubaina Himid paints an awkward, tense, uncomfortable portrait of our damp old home nation. Her installation of monumental paintings and a wall of painted oars at the British pavilion is full of tailors and cooks and arc...

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