‘Coming out in the 90s? You might as well say ‘I love cock!’’ Nathan Lane on gay life, Broadway and defying stereotypes

The way Nathan Lane describes spending the intermission of Death of a Salesman – the nearly three-hour play in which his character flails and ultimately fails through an epic depression – reflects the actor’s own spirit: practical, lightly fatalistic, artfully hyperbolic and very, very funny. Today...

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