Half Man: Richard Gadd’s follow-up to Baby Reindeer is uncomfortably erotic – and utterly monstrous

P art of the thrill of Baby Reindeer was the feeling of watching the birth of a monster. Comedians starring in their first scripted drama tend to base their characters gently on themselves, prodding at their own foibles without doing proper damage – but set fire to that safety net by dramatising his...

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