Art, not politics, explains the achievement of ‘Death of a Salesman’

NEW YORK — Seven times a week, audiences fill the 1,600-seat Winter Garden, one of Broadway’s largest venues, to see Nathan Lane, 70, an ornament of contemporary theater, spend almost three hours strenuously portraying the last day of a lost man: Willy Loman, a salesman. “Death of a Salesman” is gra...

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